The team filmed over a five-day period at an undisclosed studio in Brooklyn, where nine Panasonic Lumix GH5 cameras captured images of the double, seated in front of a blue screen. “Most of the people who helped did so as an act of activism, guarding people who are fleeing for their lives,” says the director. His approach was to digitally mask the subjects in the film using techniques similar to ‘Deepfake’ videos, but rather than manipulating someone’s image to appear to be saying something they did not, Laney and his team would allow these victims to speak openly - while wearing someone else’s face.įrance and his team recruited mainly New York-based LGBTQ activists and asked them to lend their faces to shield 23 people from grievous danger. “Being involved in a documentary that has a real-world impact and the opportunity to do good in the world was a really exciting proposition.” “The fun part of visual effects is that every project is different and it’s about getting to solve one problem after another,” says Laney. “We were at our wits’ end when I made a trip to LA to meet with someone who I’d heard has a reputation for liking a challenge.” Problem solvingĬapturing facial data for ‘Welcome To Chechnya’Įnter Ryan Laney, who has spent more than 20 years working on visual effects for blockbusters in the Star Wars, Harry Potter and Marvel franchises. “This project was filmed entirely in secret so we couldn’t send footage to traditional houses and say, ‘What can you do with this?’,” says France.
![sebastian young gay snapchat sebastian young gay snapchat](https://media-public-ht.project1content.com/m=eyzaevFb/439/730/cfa/021/40f/8af/ffb/2ab/408/ca7/2b/poster/poster_01.jpg)
Further experiments with methods such as Snapchat filter technology also failed.
![sebastian young gay snapchat sebastian young gay snapchat](https://queerpig.com/wp-content/uploads/2015/11/guide-to-sex-in-prison-sebastian-young-landon-mycles-1.jpg)
As they pushed the animation further, “they just began looking like monsters”. Unfortunately, “it didn’t disguise people and surprisingly made them more recognisable”, recalls France. The plan all along had been to use rotomation, which would have transformed them into cartoon-like figures. But rather than pixelate the faces of the subjects, he promised a way to “see their faces, emotions and humanity in ways that would also protect their anonymity”. The documentarian and investigative reporter had been filming since August 2017 with an underground network of LGBTQ activists, who help Chechens escape the ongoing campaign of anti-gay persecution.
#Sebastian young gay snapchat how to
Without a solution to protect the identity of the subjects, says US director David France, who was previously Oscar-nominated for 2012’s How To Survive A Plague, they faced an unwelcome scenario where “the film never got released and we’d have to destroy everything”. But without the use of digital ‘face doubles’, this powerful spotlight on the violence being perpetrated against the LGBTQ population in the Russian republic of Chechnya would never have seen the light of day.
![sebastian young gay snapchat sebastian young gay snapchat](https://imcdn.manporn.xxx/contents/videos_screenshots/3226000/3226525/240x180/5.jpg)
The pioneering way this was achieved has seen the film become the first documentary ever to be shortlisted for best visual effects by the Academy Awards. Welcome To Chechnya opens with the disclaimer: ‘For their safety, people fleeing for their lives have been digitally disguised.’ Source: Courtesy of HBO Documentary Films